Writer In Motion: The Final Draft

It’s been through editing with me. It’s been through CPs. It’s been through an editor. And now, it’s the final draft.

But first, let me show you what it’s gone through since the last time you’ve seen Space Cows.

So I sent it to my editor, Jeni, who sent it back three days later with the following note: “OMG I loved this! I didn’t have much developmentally, and only a little in terms of copy or line editing. Great work! Let me know if you have any questions or concerns.”

Needless to say there was much squee-ing on my part. And then I opened it up. “A little” means 49 changes logged in track changes, in case you were wondering. Here’s what it looked like:


Like I did with my CP feedback, I read through it all, nodding to myself, and then let it sit for a bit. Then I got to work. I completely agree with Jeni’s suggestion to switch the tense from past to present, though that left me biting my nails through the rest of the revisions afraid I might have missed a tense change! It does give much more immediacy, though, which is so worth it.

Most of the other comments were fixing commas and rearranging sentences or adding paragraphs for more impact, and I followed almost all of them. Some fixing sparked other changes, to maintain flow.

I did have to stop and think though, as she recommended I deleted the phrase about cannibalizing the ship. I liked how that went along with the cooking of the meat, but it could be too much too. It also is a lot of short phrases in one sentences, which can feel choppy. 

I did it though, because of the choppiness. It didn’t add enough to justify the jumpy rhythm. So here’s my final draft, with never-before-have-I-written-in 2nd person present tense, at 902 words. Enjoy!

You lie among the scraggly brush, your rasping breath loud in your ears. Roars shatter the night, closing in around you. Sandy, barren land stretches between your meager cover and the Drop Site, concealed in the rusting remains of a small ship listing to starboard on a sandbank. Nothing the monsters can understand.

Breaking cover, you lunge for the derelict. The packed sand crumbles beneath your hooves as if plotting with your pursuers to slow you down. You stumble, pattering a staccato beat. The scent of your own fear clogs your flaring nostrils. It’s a wonder the monsters don’t smell it too. 

Or maybe they do. 

They swarm out from the brush, and a strangled squeal rips from your throat. It seems to drive them ever faster, their huge splayed feet grabbing the sand you struggle on, throwing them forward with ease. The primitive creatures never stop, never need to rest, and their eyesight is better than yours. They’d seen you watching them, and they didn’t take kindly to that. 

That moment is frozen in your mind: the flapping hides of the dead creatures they tied around themselves, their swinging limbs, and their eyes gleaming in the dark. Fodder for nightmares, should you be lucky enough to have them later. 

You gallop across the sands and through the tide that tugs at your hooves, as if the water too conspires to drag you down. Do the monsters compel all of nature to do their bidding? You shiver, your hide twitching and jumping. It can’t be. Such a thing would be magic, and everyone knows magic is for children. Just silly superstitions. Believing in magic would be as likely as you hunting and killing some poor creature. Ridiculous.

You fling yourself into the derelict. It has no door to slam in the monsters’ faces. You lunge across the small ship to grab the crate the Wolves had sent down for your return, the crate which holds the Matt and makes this rusting boat the Drop Site. It bangs against your knees as you haul it back to the entryway and push it into place. It’s too small to block the opening, but there’s nothing else, only a few planks peeling away from the interior wall. The ship screams, too loud in your sensitive ears, when you pull the planks away and slot them into place. They rattle and shiver when you shove the crate against them. There’s no way they’ll hold. 

Hoping you’ve at least bought yourself enough time, you open the crate, scanning the instructions. The Wolves set up the Matter Teleportation Device, but they didn’t tell you how to use it.

This was supposed to be an easy mission. Drop down, catalogue the natives, and Matt up. No one was supposed to get hurt. But the Wolves, likely thinking it a prank, didn’t set the Matt up with a verbal or physical passcode. The crate holds a sensor, along with a hoof-friendly lighter, kindling, and two slabs of raw meat. You recoil, even as you read the Wolves’ instructions: the Matt will initiate automatically when the sensor detects cooking meat. 

You stare in horror. Who is this? Surely not another Cow? Could you live with yourself if you cooked another Cow?

Some prank, forcing a vegetarian to cook meat in order to return to the ship. To safety. You curse the Wolves and their set up. 

But whoever this is, they are already dead. You dying too will not bring them back. Bile rises, and tears flow from your eyes and down your sensitive muzzle. But you aren’t ready yet to die. 

Fumbling, you grab the lighter, drop it, and grab it again. Your hooves tremble as you struggle to work the simple tool. 

Something slams against the ship and the planks jump. You lunge to hold them up, muttering prayers under your breath. Of course, there’s nothing in the starry expanse to pray to, but desperation drives out reason.  

You are going to give the Wolves an earful if you see them again.

Finally, a flame lights, just as the barricade slams against your back under the weight of the monsters. Screaming in wordless terror, you scramble with your hooves on the slick flooring, but there’s no good footing. Maybe if you had massive flat feet like the monsters do. The lighter drops from your grasp onto the kindling. 

The kindling catches, lucky for you. 

Hairy arms snake in through the holes in your barricade, scratching at you with blunt nails as the fire flares brighter. Another weight bounces against your back, and roars echo all around the derelict. Fortunately, the metal isn’t rusted all the way through. 

Shallow, quick breaths puffing out of your mouth, you drop the meat on the flames and waft the smoke toward the sensors. Your stomach turns, nausea rising. The things you’re willing to do to survive are horrifying. You are disgusting. 

As the stench of cooking meat fills the cabin, the monsters outside pause, snuffling around the edges of the planks. And then, they throw themselves like a wave at the barricade. At you. 

Your eyes widen and you shriek… 

…and disappear, safely Matted up to the ship. 

The Wolves consider the mission a success. After all, you survived. Even more, in one single exposure to the concept, you taught the humans how to harness fire. 

You taught them to cook their meat. 


Check out the other Writer In Motion participants!

– K. J. Harrowick http://blog.halon-chronicles.com & http://kjharrowick.wordpress.com

– Jen Karner http://www.SyllablesandSass.com

– H.M. Braverman http://hmbraverman.com

– J.M. Jinks www.authorjmjinks.com

– Melissa Bergum (will be posting via KJ’s site)

– Thuy Nguyen http://www.tmnstories.com

– Kristen Howe https://kristenswritingendeavors.wordpress.com/

– Kathryn Hewitt https://spinningmyyarns.wordpress.com/

– Sean Willson https://www.seanwillson.com/blog/

– Paulette Wiles http://www.paulettewiles.com

– Talynn Lynn inkinthebook.blogspot.com

– Ellen Mulholland www.ellenmulholland.com

– Steph Whitaker stephwhitaker80.wixsite.com/swhitakerwrites/

– Sheri MacIntyre https://sherimacintyre.wordpress.com

– Jessica Lewis https://jessicalewis2227.wixsite.com/authorjessicalewis/writer-in-motion

– Susan Burdorf https://writingnotes.home.blog

– Dawn Currie https://dawncurrie.wordpress.com

– Megan Van Dyke http://www.meganrvandyke.com

– Ari Augustine https://bookishvalhalla.com

– Fariha Khayyam http://www.farihakhayyam.com

– M. Dalto https://authormdalto.wordpress.com/blog/

– Sheryl Stein http://www.wrekehavoc.com

– Belinda Grant https://belindagrantwrites.wordpress.com

– Coffee Quills https://coffeequills.com

The amazing editors:

Jeni Chappelle https://www.jenichappelleeditorial.com

Carly Hayward https://booklighteditorial.com

Maria Tureaud https://twitter.com/Maria_Tureaud

Justine Manzano https://www.craftquest.org/


2 thoughts on “Writer In Motion: The Final Draft

  1. LOVE this, SK! The present tense 2nd person was the perfect choice for cranking up the tension. I can’t believe I’m saying this, but you made me believe I AM the cow!!!

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